Showing posts with label Arbaaz Khan. Show all posts
Showing posts with label Arbaaz Khan. Show all posts

Sep 25, 2015

Kis Kisko Pyaar Karoon Review: Kapil Sharma Makes a Safe and Somewhat Impressive Debut


Whether you laugh at his jokes or not, or whether you acknowledge his meteoric rise through the ranks or not, the fact is that TV’s funnyman Kapil Sharma has gone on to become one of the most followed/admired entertainers in the last 2 years or so. Therefore, when the man who gave us the iconic “Babaji Ka Thullu” goes on to make his Bollywood debut, you are both skeptical and excited. Is it prudent of Kapil to keep his kingship of TV aside and try to make it big in the big, bad Bollywood? Does Bollywood of today have space for a comedian-hero or did that craft die as soon as Govinda started to age?
May be it’s difficult to straightaway find answers to the questions raised above, but it is quite safe and sound to declare a fact right at the beginning – Kapil Sharma has chosen a very smart and safe vehicle of launch in Bollywood and believe it or not, he does a pretty neat job of the challenge thrown at him. The 34-year old comedian with conventional, common man looks carries Kis Kisko Pyaar Karoon well on his shoulders and displays some obvious signs of possessing real acting chops. The fact that the film is helmed by the seasoned duo of Abbas Mustan is a big plus as the directors manage to build a decent product using an old, dated formula; something which might have proven detrimental if not handled with precision.
Kis Kisko Pyaar Karoon’s plot is a throwback to the 90s when Govinda kind of made polygamy cool with the 1996 David Dhawan Super-Hit Saajan Chale Sasural. Kapil Sharma plays Shiv Ram Kishan who ends up marrying thrice (with three different women – Manjari Phadnis, Amrita Puri and Simran Kaur Mundi) due to a series of outlandish and bizarre ‘accidents’. Not just that, he also has a smoldering girlfriend in form a beautiful Elli Avaram who obviously does not know that her boyfriend is already married to three women. Helping him deal with this tetra trouble in life is his friend cum lawyer Varun Sharma. Did you spot the similarities and differences between Kis Kisko Pyaar Karoon and Saajan Chale Sasural yet? The ultimate alpha male Govinda romanced two women (Tabu and Karisma Kapoor) while our Kapil goes two steps further and has 4 ladies by his sides, front and back. Wah!
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Let’s get it clear that Kis Kisko Pyaar Karoon is a low-brow comedy but is not exactly ‘mindless’. The film knows what it is and never really tries to be something that it cannot be. There are no sermons or judgements passed on merits/demerits of polygamy, there are no outright insulting jokes, either on wives/women or on the audiences for that matter. Abbas Mustan do a good job of working within themselves and Kapil Sharma manages to underplay himself beautifully at times.
In fact, apart from his trademark quirky humor, Kapil Sharma surprises us in typical Bollywood emotional scenes and comes out triumphant when the camera goes up, close and personal with his face. Special mention should be made of a ‘drinking scene’ right before the interval, where the two Sharmas, Kapil and Varun, are bonding over a few drinks and former is sharing the woes of his ultra-blessed marital life. Kapil makes full use of the drunken opportunity and shows some definite acting sparks.
Ably supporting and sometimes outclassing Kapil, is Varun ‘Choocha’ Sharma. The Fukrey lad displays impeccable comic timing and you will find yourself laughing out loud on several occasions when the talented actor is in the frame, especially when he dishes out his ‘scientific’ explanations to save his friend’s day. Also in the fray is the dependable Arbaaz Khan as a bhai of one of the Kapil’s wives. He plays a deaf don with utmost ease and looks very comfortable in the comic space, something which we have seen him doing of late. Adding further meat to an impressive support cast are Manoj Joshi, Supriya Pathak and Sharat Saxena, who ensure that the film never really goes down on the overall comic quotient. Some of the scenes in the film are uproarious, especially one in a mall and another one featuring a detailed analysis of Kapil’s underwear!
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The four ladies – Manjari Phadnis, Simran Kaur Mundi, Elle Avaram and Amrita Puri put up decent performances and do not ever let the script acquire misogynistic proportions. The film’s script, although predictable, dated and formulaic, does have some novel situational comic scenes and plenty of typical Kapil-style dry, sarcastic humor. The first half is quite breezy and enjoyable, unlike the second half which gets a little stretched towards the end. The film’s climax is somewhat clichéd and unbelievable at the same time, but one cannot really complain much on its merit given the fact that the plot itself is nothing revolutionary.
Kis Kisko Pyaar Karoon’s soundtrack is strictly average with a couple of songs too many to deal with. Two songs that register some space in your mind are ‘Bam’, which has the film’s leading man crooning rather impressively, and a romantic track titled ‘Samandar.
Overall, Kis Kisko Pyaar Karoon is a better bet than those ‘mindless comedies’ featuring big stars or those lavish launch vehicles that star kids manage to get for themselves in a platter. It is a clean, entertaining film whose plot may be dated but the humor on offering is genuine and harmless.
Go, watch Kis Kisko Pyaar Karoon, you might find yourself celebrating the success of a self-made man.
Rating: *** (3 out of 5 – Good)

Jun 4, 2011

Film Review: Ready

Morning shows the day. Whosoever said this, must have been a man/woman with great wit and intelligence. When all the supposed Special appearances of Ready winded up within first 15 minutes of the film, I knew I was being taken for a ride. There was no logic whatsoever to cram Sanjay Dutt, Arbaaz Khan, Ajay Devgan, Kangana Ranaut and that Katrina Look alike (she finally has flab at right places) in the initial reels of the film. Cameos and special appearances are supposed to be ‘significant’ for the film, they are supposed to add some value. Only Zarine Khan had something to do as she sizzled in the character dheela number while Ajay and Sanjay looked completely out of place. I instantly got a feeling, Salman Khan, family (Arbaaz and Sohail, the producer) and friends (Sanjay, Kangana, Zarine) have made this film for fun, they must have had a gala time shooting in picturesque island of Sri Lanka.

So how is Ready? Firstly, it’s not just a no-brainer but actually a non-film, a tangy docu-drama, whose sole purpose is to glorify and further glorify the Larger than life image of Salman Khan, the lead protagonist. Nothing wrong with it. Salman Khan is a mega-star who is perhaps going through the purple patch of his career. In fact, he does give that periodic feeling of Vintage Salman. I mean only he can pee on a hay stack and ask you to go into interval and look cunningly at the audiences every time after getting hold of Asin’s Body. He plays it to the gallery and deserves all the sities and taalis. But…


There are several moments in the film when you feel like holding the director (Anees Bazmee) by his collar and ask him, “WHY”? This man has been dishing out rotten potatoes to the movie-goers for years now. I have seen good side of him (Deewangee, Pyar To Hona Hi Tha), he can be a master at comedy too (No Entry) but off late he seems to be driven by moolahs only. What explains his precarious decision of working on three films simultaneously (No Problem, Thank You, Ready). Even Ram Gopal Verma would be ashamed of such audacity. Bazmee virtually made No Entry Part 2 in form of Thank You (by the way, No Entry 2 is still on!), now he picks up Welcome’s script, replaces Bhais with mamas, expands the family on both sides and makes Ready! Outrageous.

Ready has no story to write about. There are simply too many characters. Salman has three uncles (sorry two if you do not count Paresh, his adopted uncle), each uncle has a wife. He has a father too, who also has a wife. Then there are two maids in his house, a Guruji and his accomplice. Asin’s family tree is worse. She has two Mamas, respective mamis, a rowdy cousin and the entire goon clan of the Chaudharies, as they call themselves.Thankfully, her parents are dead.


The entire first half is wasted in establishing the characters. Story and screenplay not just have loopholes but huge potholes. Talented actors like Paresh Rawal, Sharat Saxena, Akhilendra Mishra, Manoj Pahwa and Mahesh Manjerekar (he repeats Suneil Shetty's Act in Awara Pagal Deewana) have been terribly wasted. Only Sudesh Lahiri (of Comedy Circus fame) manages to tickle your bones. I have a feeling that director or the script writer contributed little to his achievements, his stint at Comedy Circus and his own sense of comedy saved the day for him. Asin Thottumkal needs to pay attention to her skin. Her face appears to be pimplified through out the film. For acting part, she is her natural self, vibrant in whatever little she has got to do.


Salman is the only savior. I am sorry, this film was made to show him as the savior. His screen presence his fantastic, you can not take your eyes off him when he is around. He throws some quirky one-liners (Its hilarious when he starts singing Chaudhary ka chand ho), packs some double meaning dialogues too. He is in top form, doing virtually everything possible in front of the audiences.

Music (by Pritam) is Ready's highpoint. Dhink chika and Character Dheela are chartbusters and other songs too suit the mood of the film. There is nothing special about Sunil Kumar's and Thomas Xavier's cinematography. As far as the story and script are concerned, well, JFI (Just Forget It).

I am not a Cinema scholar who tears apart every commercial cake thats on offering. But there should be a limit to what you offer in the name of fultoo entertainer or paisa vasool. The sad part is that makers of Ready seem to be arrogant and non-sensitive, in the way, they serve out this non-sense. Sheer star power of Salman Khan seems to have gone on to their heads rather than the actor himself.

Akshay Kumar too had a similar streak of success some years back. Salman Khan is different from him in the sense that he enjoys much larger and far more loyal fan following. It wont be an exaggeration if I say he is turning to be Rajnikanth of North. Wanted and Dabangg were the perfect fodder, but Ready flatters to deceive.

Final Verdict: You will be disappointed if you expected Ready to be the first big entertainer of the year. You will be exasperated if you thought Ready would give you a relief from scorching heat and overdose of cricket.

I would not state the cliche: The film is strictly for the die-hard Salman fans. 

My Rating: * 1/2 (Poor)