Showing posts with label Asin. Show all posts
Showing posts with label Asin. Show all posts

Jul 6, 2012

Bol Bachchan is Consistently Watchable

Ok, I have this feeling that Bol Bachchan was conceptualized and made for Abhishek Bachchan. You may argue that there is nothing strange in a film being made with a certain actor in mind. But, here the concerned actor happens to be Abhishek Bachchan, whose career has nosedived in the last few years. He hardly has had any credible film under his belt off late, and he is struggling badly when it comes to box office numbers with even newcomers like Imran Khan and Ranbir Kapoor putting up much better performances, both critically and commercially. And also, Bol Bachchan is not a film that will enhance Junior AB's credentials as an actor, that dream project kind of thing that every hero/heroine dreams about. So, what do I mean when I say Bol Bachchan was made for Abhishek Bachchan? Ok, to put it in straight words, Bol Bachchan was filmed to gift a 'hit' to Abhishek Bachchan! And guess what, after watching the film you realize that Abhishek, finally, will actually have a hit to his credit. Thanks to Rohit Shetty and his brand of Cinema!

Bol Bachchan revolves around a predictable 'comedy of errors' plot. This formula of mistaken identity in Bollywood is as old as AK Hangal. And our very own Mr. Shetty has milked this formula like no one else, minting in hundreds of crores of rupees through Golmaals and All the Best (My favorite Rohit Shetty Film). What is different with Bol Bachchan then? Here, Rohit Shetty pays a tribute to the original Golmaal, the cult classic from Hrishida, in his own signature style but does not attempt to become over smart. He keeps it simple, interpreting the original in today's times, without tampering with the 'soul' of Golmaal.


The story, as you may already know and guess, is quite predictable. Abhishek Bachchan plays Amol Palekar's part while Ajay Devgn (why this missing 'a' in Devgn?) reprises Deven Varma's role. Both of them are sufficiently funny, specially Ajay who delivers some horrendously humorous 'English' one-liners like 'Hard work is the keyhole to saxophone' and 'Boy in armpit, hyper-noise pollution in city'. He is Rohit Shetty's go-to man and he does not disappoint one bit. And yes, there is ample dose of car flying sequences and Ajay beating the hell out of goons, while the camera wanders across his muscular body. 

Abhishek Bachchan, for whom this film was made, is brilliant at places and ordinary sometimes. He revisits his Dostana days through the character of Abbas Ali and comes out with flying colors. He looks sincere throughout film and seems keen on making the most of this wonderful 'hit' formula in hand. However, it is Krushna, the marvelous stand-up comedian of 'Comedy Circus' fame, who disappoints out of the entire principle cast. He looks uneasy in front of the camera and your wait for a moment of comic brilliance from his side never ends. Archana Puran Singh, Krushna's judge at Comedy Circus, plays her 'double role' with required humor and perfection. And the two leading ladies, Asin and Prachi Desai, are perfect eye candies, roaming around the picturesque Rajasthan village in their beautiful traditional Indian dresses. 

As for the director Rohit Shetty, kudos to him for creating a niche brand for himself in this industry. We need him in the fray, as much as an Anurag Kashyap or Imtiaz Ali. I think he knows his target audience as well as any other filmmaker, and is proud of his own limitations and strengths. 

All in all, Bol Bachchan is certainly not an ideal comic flick. But it is very much tolerable and in fact quite humorous at places. Film's more than 2 and half hours of length is a problem, so is Himesh Reshammiya's uninspiring music and Asin-Ajay's half-baked love track. But the major objectives of this film, like all of Rohit Shetty's films, such as madness and buffoonery  are duly achieved.

Your chest will certainly not become a blouse after watching Bol Bachchan, but you will get your intermittent dose of laughter and fun. This one is a typical popcorn and Pepsi stuff from Rohit Shetty factory!

Rating- *** (Good) 

 

Jun 4, 2011

Film Review: Ready

Morning shows the day. Whosoever said this, must have been a man/woman with great wit and intelligence. When all the supposed Special appearances of Ready winded up within first 15 minutes of the film, I knew I was being taken for a ride. There was no logic whatsoever to cram Sanjay Dutt, Arbaaz Khan, Ajay Devgan, Kangana Ranaut and that Katrina Look alike (she finally has flab at right places) in the initial reels of the film. Cameos and special appearances are supposed to be ‘significant’ for the film, they are supposed to add some value. Only Zarine Khan had something to do as she sizzled in the character dheela number while Ajay and Sanjay looked completely out of place. I instantly got a feeling, Salman Khan, family (Arbaaz and Sohail, the producer) and friends (Sanjay, Kangana, Zarine) have made this film for fun, they must have had a gala time shooting in picturesque island of Sri Lanka.

So how is Ready? Firstly, it’s not just a no-brainer but actually a non-film, a tangy docu-drama, whose sole purpose is to glorify and further glorify the Larger than life image of Salman Khan, the lead protagonist. Nothing wrong with it. Salman Khan is a mega-star who is perhaps going through the purple patch of his career. In fact, he does give that periodic feeling of Vintage Salman. I mean only he can pee on a hay stack and ask you to go into interval and look cunningly at the audiences every time after getting hold of Asin’s Body. He plays it to the gallery and deserves all the sities and taalis. But…


There are several moments in the film when you feel like holding the director (Anees Bazmee) by his collar and ask him, “WHY”? This man has been dishing out rotten potatoes to the movie-goers for years now. I have seen good side of him (Deewangee, Pyar To Hona Hi Tha), he can be a master at comedy too (No Entry) but off late he seems to be driven by moolahs only. What explains his precarious decision of working on three films simultaneously (No Problem, Thank You, Ready). Even Ram Gopal Verma would be ashamed of such audacity. Bazmee virtually made No Entry Part 2 in form of Thank You (by the way, No Entry 2 is still on!), now he picks up Welcome’s script, replaces Bhais with mamas, expands the family on both sides and makes Ready! Outrageous.

Ready has no story to write about. There are simply too many characters. Salman has three uncles (sorry two if you do not count Paresh, his adopted uncle), each uncle has a wife. He has a father too, who also has a wife. Then there are two maids in his house, a Guruji and his accomplice. Asin’s family tree is worse. She has two Mamas, respective mamis, a rowdy cousin and the entire goon clan of the Chaudharies, as they call themselves.Thankfully, her parents are dead.


The entire first half is wasted in establishing the characters. Story and screenplay not just have loopholes but huge potholes. Talented actors like Paresh Rawal, Sharat Saxena, Akhilendra Mishra, Manoj Pahwa and Mahesh Manjerekar (he repeats Suneil Shetty's Act in Awara Pagal Deewana) have been terribly wasted. Only Sudesh Lahiri (of Comedy Circus fame) manages to tickle your bones. I have a feeling that director or the script writer contributed little to his achievements, his stint at Comedy Circus and his own sense of comedy saved the day for him. Asin Thottumkal needs to pay attention to her skin. Her face appears to be pimplified through out the film. For acting part, she is her natural self, vibrant in whatever little she has got to do.


Salman is the only savior. I am sorry, this film was made to show him as the savior. His screen presence his fantastic, you can not take your eyes off him when he is around. He throws some quirky one-liners (Its hilarious when he starts singing Chaudhary ka chand ho), packs some double meaning dialogues too. He is in top form, doing virtually everything possible in front of the audiences.

Music (by Pritam) is Ready's highpoint. Dhink chika and Character Dheela are chartbusters and other songs too suit the mood of the film. There is nothing special about Sunil Kumar's and Thomas Xavier's cinematography. As far as the story and script are concerned, well, JFI (Just Forget It).

I am not a Cinema scholar who tears apart every commercial cake thats on offering. But there should be a limit to what you offer in the name of fultoo entertainer or paisa vasool. The sad part is that makers of Ready seem to be arrogant and non-sensitive, in the way, they serve out this non-sense. Sheer star power of Salman Khan seems to have gone on to their heads rather than the actor himself.

Akshay Kumar too had a similar streak of success some years back. Salman Khan is different from him in the sense that he enjoys much larger and far more loyal fan following. It wont be an exaggeration if I say he is turning to be Rajnikanth of North. Wanted and Dabangg were the perfect fodder, but Ready flatters to deceive.

Final Verdict: You will be disappointed if you expected Ready to be the first big entertainer of the year. You will be exasperated if you thought Ready would give you a relief from scorching heat and overdose of cricket.

I would not state the cliche: The film is strictly for the die-hard Salman fans. 

My Rating: * 1/2 (Poor)


May 31, 2011

Salman Khan: A Star Away from Galaxy


While I was coming back from my office to home in the yellow-green Delhi Auto (I love this color combination!), my gaze fell on a small sticker pasted above the rear view mirror. I had seen posters of this man on almost all the autos, taxis, buses, small shops, in short in every nook and corner where India resides. The autowalah saw me looking at the sticker and put across a query " Bhaiya, Are you going for 'Ready' this Friday?". The exemplary glee and pride in his voice was evident.

That's the unique charm, charisma and mass appeal of this extremely good looking and 'somewhat' talented superstar of Hindi Cinema- Salman Khan. With uncountable flops to his credit and a not so sober image, Salman still manages to catch the imagination of the great Indian Aam Aadmi. But what exactly makes this Super-brat click? Where does he stand in front of the other two Khans..? Well, lets diagnose..


Salman Khan is not an actor, let's face it. He is a mere performer, a terrific one. His strength lies in being himself, not pretending (even remotely) to be someone else. Salman connects with the audience because, he does things that an ordinary young man fantasizes to do. So he rips apart his shirt and flaunts his muscular body, cracks jokes on farting, laughs very naturally, plays guitar on the seaside, dances with firangi girls on the beach, crushes the enemy with utmost ease and flamboyance. And ofcourse, woos women by singing romantic songs, dressing up in designer tees et al.

The audience also sees the 'rebel' in him. A guy who has broken law on many occassions, but is good at heart nevertheless. A friend of friends and a bitter enemy (Ask King Khan for both the aspects). The world also has a soft corner for him as he is perceived to be a man who has been betrayed in love time and again. So, the common perception implies that Aishwarya left her after climbing the success ladder, so did Katrina (if at all).



While SRK and Aamir are more like Businessmen, Salman is the people's man. The two of more illustrious Khans are shrewd intellectuals, very conscious of their image, the films that they do and how they behave in public. Off late they have presented themselves more like producers than Stars. They mean business, they deal in huge numbers.

Salman is a touch different, he walks in a friend's film just like that and research & preparation are two terms alien to him. Directors who know to tap Salman's " being self" talent, have succeeded in dishing out hits. Rest of them have just used him for no use effectively.

The original macho man of Indian Cinema, Salman Khan's career is very interestingly poised. His raw appeal seems to be working with masses but the urban audience might have developed a disconnect.His way forward heavily depends on films that he does post Dabangg, because there can't be many Wanteds and Dabanggs. He has already cashed upon trash masala stuff , the challenge is to go a step beyond and walk in a new lane. The question is what exactly can he offer us through 'Ready'?

Just for thought.- Have you seen anyone dance better than Salman Khan in 'Munni Badnam' ? Thats DANCE for you, rest of them I call as CHOREOGRAPHY.

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Don't miss Review of Ready on June3-4.