'Haider' Takes the Kashmir Dare and Is Almost There

Shakespeare would have been proud of Vishal Bhardwaj, it's a given. One cannot imagine better Indian adaptions of Macbeth and Othello than Maqbool and Omkara respectively. I mean, even if you match title to title, Maqbool and Omkara sound super cool, and these names have a certain 'ring' much like their Shakespearean counterparts. With Haider, Bhardwaj does something unusual and daring, he amalgamates the bard's Hamlet with Kashmir. The resultant is a dramatic and dark cocktail of personal strife and collective sorrow of Kashmir, sorrow that has been mostly ignored by the mainstream Hindi cinema.

Kashmir is not just a shooting location in Haider, it is one of the film's main protagonists. Full credit to Vishal Bhardwaj for an imaginative, sensitive and well-researched portrayal of Kashmir of the mid-90s, the era when the state was battling incessant militancy and unease. It requires a lot of courage and conviction to call a spade and a spade and Bhardwaj does exactly that when he calls AFSPA as 'chutzpah'. It is by far the most quirky take by any Indian film on the draconian law that gives sweeping powers to the armed forces in the strife-torn areas. There is no chest thumping about nationalism nor there is any over-dramatic cry for the 'Kashmiri' cause. Haider beautifully balances its narrative by giving a voice to grievances of all the sides, however, it largely focuses on the plight of the average Kashmiri who is torn by the unrest in the valley.

But apart from a brave, honest and intimate take on Kashmir, Haider also boasts of a heartfelt portrayal of mother-son relationship. Tabu and Shahid Kapoor put up pitch perfect performances as Gazala Meer and Haider respectively, to gift us one of the best Ma-beta jodi of Hindi cinema in recent times. With Hamlet as its inspiration, this mother-son duo share a unique bond that is simmering with love, longing and a strange shade of hatred from Haider's side. Tabu steals the show as Shahid's mother and it is such a joy to watch the great actor on screen after so long. One could only wish to see more of her on the silver screen and thank Vishal Bhardwaj for giving this acting powerhouse another meaty role post Maqbool.

Shahid Kapoor shows yet again that he is a terrific actor and comes up with a layered performance that is at times restrained and mostly vulnerable. Irrfan Khan makes a huge impact in a very brief role as the mysterious Roohdaar and Kay Kay Menon looks cunning enough as Haider's uncle Khurram. Shradha Kapoor comes of age in role of Arshi and takes a big leap in the acting department. She shares a lovely chemistry with Shahid, and the two light up the screen every time they find some room for romance. The film's cinematography (Pankaj Kumar) is first rate, so is the soundtrack and background music. Also, the film's dialogues are truly memorable that are sprinkled with doses of humor, intrigue and pain.

But everything is not hunky dory with Haider. The second half seems a bit dragged specially after a stunningly impactful first half. Bhardwaj fails to resist the temptation of getting into self-indulgence and pretentious symbolism towards the fag end of the film. So, there are graveyard caretakers singing 'So Jao' and digging graves for themselves, Haider holding and talking to a human skull as if it were a trophy and this over-dramatic sequence also a has a young boy watching and asking questions. Trying to pass on a commentary on Kashmir's present and future, Mr. Bhardwaj? It does not come out well, eh? Also, at times conversations on Kashmir seem a little forced and contrived. Kulbhushan Kharbanda's character gives us a sermon on how one 'inteqaam' would only lead to another inteqaam, and it only comes across as the director's attempt to balance out the anti-India or anti-army tirade in the film.

But overall, Haider is a fantastic film and to see or not to see it is never a question. But is it Bhardwaj's best work till date? I would stop short of claiming anything like that and would still rate Maqbool as the affable director's finest work.

Rating: *** 1/2 (Very Good)

'Bang Bang' Could Have Easily Been Titled 'Blah Blah'

Bang Bang makes you feel uncomfortable. Two incredibly good looking actors hop across some exotic locations, fire guns and machine guns as frequently as one pees after gulping a few bottles of beer, and if all of this does not make you sulk about limitations of your own life, they also kiss and dance, and flaunt their sculpted bodies all through the film.

Yes, Bang Bang is a kind of film that makes your body suffer from acute inferiority complex and forces you not to see the mirror for sometime. But sadly, that is all that the film offers- some stunning visuals, some jaw-dropping action sequences and plenty of sculpted body show by its lead actors. Apart from it, the film is a big letdown that becomes boring and predictable within 10-15 minutes of its initial run time.

Clinging on to a wafer-thin story line (if you decide to call it a story), the film starts with a hilarious 10-15 minute sequence featuring a guest appearance from Jimmy Shergill and the film's main antagonist Danny Dengzongpa. It reminds you of the terrible action films of the late 80s and early 90s where the 'hero' would throw some cheesy patriotic dialogues and the 'villain' would rebut citing his own 'lambe haath' that could buy off every damn politician, policewalla or judge of the country. Yes, you are reading the write review. Hrithik Roshan, the 'hero' of this film, would not takeover the proceedings well into 15-20 minutes. Yawn, you are already sleeping.

Then, there is an irritating Katrina Kaif and her annoying personal life of a 'bank receptionist'. The bank is funnily called 'Bank of Simla'. And there is robbery of Kohinoor diamond from London and the MI6 is rolled over by Javed Jaafri (one of the villains, who has also the responsibility of being comical) and his gang. However, the most funny and outrageous part of the movie is how much of snowfall they attribute to places like Shimla and Dehradun! Too much of unbelievable blah blah.

Hrithik tries hard to wrest control of the situation on several occasions, and he mostly succeeds, but obviously he can't fill in for the missing story and semblance of some substance in the film. The action sequences are well-shot and at times sunning, the locations are picturesque, but the overall proceeding has a constant stamp of dullness. Hrithik flaunts his abs and stunningly fit physique on several occasions, in fact, the director treats his body like one of the main leads of the film. Katrina looks beautiful, her skin as radiant as the Taj, but fails to make any mark with her acting (not saying that I expected anything significant.)

Watch Bang Bang only if you are a die-hard Hrithik fan or you get inspired by seeing people who are physically super fit. All in all, the film is nothing but the makers' tribute to good looks of Hrithik Roshan, and Roshan's own contribution to the club of '100 crore films' that otherwise suck big time.

Oh yes, and the film is a remake of Tom Cruise-starrer 'Knight and Day'. But, who cares. Yawn.

Rating: ** (Average)

Taking Care (Silence)

All kinds of sound,

A child wailing, a train running

Sound that resides in a guitar

Noise that comes from within and far.

Rain lashing a tin rooftop

A bird's lazy morning chirp

Crickets playing a night-long match

To each soul, a voice you can attach.

The sound and its healing verb

It would all be futile

Without a lasting doze of silence

Peace suffices after gunshots and violence

Silence of the rain, the guitar, the people

Silence of a bird, a friend, a mountain

They may look a little out of place

But if sound is a shoe, silence is the lace.

So sit back, cut off, let go

Everything can wait, or else fall silent

Don't always seek, just be there

Life has a million ways of Taking Care.

'Mary Kom' is Neat, Sincere and Inspiring

Attempting to make a biopic on a sportsperson is tricky enough, add to it the fact that the subject in question still happens to be active and very much in the news; then you are virtually playing with fire. Howsoever ignorant the Indian public may be about the Northeast, most of them would have at least gone through the real Mary Kom's Wikipedia page since a movie on her life was announced. It is in this context and the fact that you already know which way the boxing match in the climax would go, 'Mary Kom' stands out and deserves praise. Debutante director Omung Kumar and story & screenplay writer Saiwyn Quadras smartly go up, close and personal into the champion boxer's life and beautifully weave the narrative around her life's challenges and predicaments.

The film interestingly and cleverly does not follow Mary Kom's career's most recent events (the boxer's bronze medal winning effort in the last Olympics Games). Starting from Mary's younger days in Manipur where she battles insurgency, poverty, her father's resistance and society's prejudices, the film eventually closes after tracing the boxer's unbelievable comeback to the top (wining the 2008 Women's Boxing World Championship Gold in China) after getting married and delivering twins, and while battling the sports administration's apathy.

The film's biggest strength lies in the way it depicts Mary Kom's unusual relationship with three important men in her life- her husband, coach and father, and how it shapes the boxer's life on and off the boxing ring. Darshan Kumar as Onler Kom, Mary's out-of-the-world husband beautifully underplays his part and ends up making you smile and dote over him (and of course, the 'real' Onler). The actor as the ever-supportive husband, friend and motivator who gives up his own career, baby sits the twins and digests all the barbs of the world for being a man who 'lets his wife go out and get beaten', looks very believable and effective. Shiv Thapa as Mary's maverick coach is affable and outstanding.

Aided by a wonderful support cast, Priyanka Chopra gets into the role of Mary Kom with her heart and soul, and boy it shows! The actress is almost flawless in her dialogue delivery and diction, powerful and fierce when she is punching her opponents, and vulnerable and excitable when she is confronted with emotions. This is easily one of Priyanka's finest performances that is oozing with sincerity and dedication. The gorgeous actress has gone de-glam, bulked up and trained really hard to play her part and it has come out magnificently on the screen. Thankfully, the director does not fall prey to the temptation of trying to make Priyanka 'look' like Mary Kom. This is an out and out commercial film that never tries to come across as something which it isn't or cannot be (characters maintain a consistently believable accent while they speak in Hindi, no one goes overboard in trying to look and sound like a Manipuri).

But, everything is not ten on ten in the film. The film's soundtrack, although played in the background, is a big downer and distracts you many a times from the narrative. Also, the first half of the film gets a tad slow towards the interval and you suspect that the makers look a little lost while trying to bridge the pre-marriage and post-marriage events of Mary's life. The climax of the film also looks a little over-dramatized, especially when most of the film moves you without trying to be too dramatic.

All said and done, Mary Kom definitely has more pluses than pitfalls and it surely qualifies as a fine biopic that never lacks purpose and honesty. Watch it for Priyanka Chopra's stellar performance, balanced storytelling and to get inspired from one of India's greatest sportswoman's unbelievably remarkable journey to the top.

Rating: *** 1/2 (Three and Half - Very Good)

10 Reasons Why Modi is Proving To Be a Gamechanger

It's been 100 days and you know it. You know that you have a Prime Minister who is not as stiff as a robot and does not wear a mask in place of regular human face. The new Prime Minister has eyes that rove, muscles that flex, hands and a head that move and most importantly a mouth that utters words. Behold India, you have just gifted yourself a rather energetic, spontaneous and 'lively' prime minister, ending a decade-long agony of drift, lethargy and uncertainty.

I am not trying to draw out a 100-days report card of Prime Minister Modi nor I am trying to say that all that plagues India has ceased to exist. I am a regular young Indian who is very impressed with what he has seen of Mr. Modi thus far. From the historic swearing-in to the just concluded Japan trip, Modi has driven home at least three vitals points - one, he is way more spontaneous and imaginative that even his admirers thought of him to be, two, he will go all out to achieve what he believes in, almost like an adamant child, three, he means business, and he will do everything possible to leave behind a remarkable legacy. To cut matter short, I am here listing 10 reasons that make PM Modi a gamechanger or at least give him a very good shot at becoming India's first great leader of the 21st century:

1. The Man is the Message: Modi is a workaholic, no-nonsense man. He labours every day in his office and he his making sure everyone else around him does the same. Ministers are more accountable and ministries are bustling with activity right at 9 in the morning. Bureaucrats are powerful but their flab has been peeled off. There is zero tolerance towards inefficiency, non-performance, sycophancy, chalta-hai attitude and corruption.

2. The blessed oratory genius: Modi speaks with his heart wherever he goes. Secretary-written speeches have been junked, nicety and typicality have been minimized, he calls a spade a spade. So, not only his speech is extempore on the Independence Day, he takes the great risk of going completely unscripted on a foreign tour as crucial as Japan's. Guess what, he is pulling it off with aplomb thus far.

3. Buidling a personal connect: Mr. Modi has the innate knack of staring into someone's heart, and not just the eyes. Right from his campaigning days to his current status of being the prime minister, Mr. Modi has managed to strike chord with a billion people. You believe him when he says he will build 100 smart cities, clean the Ganges or get us the bullet train. Politics is a game of perception and Indians largely perceive Mr. Modi as a 'doer'.

4. Love thy neighbour: Modi has managed to do what the two successive UPA governments conveniently and dangerously ignored, that is meaningful engagement with its immediate neighbours. In an unprecedented gesture, he invited eight heads of state and chose Bhutan for his first official tour after taking oath. Next in line was the much-needed brotherly (not big brotherly) gesture towards Nepal where he won over everybody's heart while addressing the Nepalese parliament. India's relations with Bangladesh and Sri Lanka have dramatically improved and even Pakistan was given an olive branch till they decided to look the other way.

5. Perfect Pakistan Policy: Modi and his government has successfuly underlined a simple message- terror and talks cannot go on simultaneously. Despite opting to engage with Nawaz Sharif on day one of his office, Modi quickly realized that it is futile to 'talk' with a neighbor that is hell bent on gunning down our soldiers and civilians on the border. Add to it to the brazenness of Pakistan to hold separate talks with the so-called Kashmiri representatives, the Hurriyat, a group of largely out-of-job and out-of-favor anti-nationals. By deciding to call off the foreign secretary level talks, Modi has at least cut down on a futile decade-long exercise that yields nothing other than an inflated bill of cookies and table tennis balls.

6. Reinvigorating foreign policy: Modi has left Japan in complete awe of him. From tweeting in Japanese to jamming with drummers to playing a flute, Modi has brought in whole new level of personal involvement in India's relations with Japan. Expect more of this when Chinese come to Delhi or Modi himself visits the US. Also, not to forget the subtle nudge that Modi had for Beijing, hinting the strategic shift in India's position to not treat China with the kind of respect that it hardly deserves. India-Japan partnership may well be the most defining achievement of this 100-days old government.

7. Right noises on economy: There are no tall promises of bringing down the inflation in 100 days. Jaitley, Modi's trusted Finance Minister, is working slowly but surely to bring India's economy back on track. Green shoots are already emerging with the manufacturing and service sectors showing signs of revival, GDP clocking its best ever performance in the last two and half years and a renewed push for reforms and economic management. The fact that Modi has eloquently asked the world to come and 'make in India' shows the kind of interest the PM has in reviving the India story.

8. Rebuilding and reselling the India story: The last five years have seen India plummeting in the eyes of global investors and marketers. Policy paralysis, indecisiveness of the leadership and red-tapism threatened to cut the India story short, but Modi, like a true-blue Gujarati is selling the India model to the world again. He promises to reduce bureaucratic hurdle for foreign investors and offers them a red carpet while underlining the uniqueness and opportunities of the Indian market.

9. Focus on little things that will go a long way: Bank account for all Indians, drive to make India a clean country, cutting down on multiple ministries, scrapping of the planning commission etc. are just some of the examples of small but significant corrective measures that Modi has focused upon. While the big pet projects may take some time to materialize, these tiny jewels may well help India shrug off some of its dirt and troublesome flab.

10. Dodging a thousand provocations: From day one, parties and intellectuals with vested interests have been trying to flare up unnecessary controversies around the new government. From Smriti Irani's educational qualification to random communal statements by fringe elements, an attempt has been made to incite Modi into speaking something silly or out of turn. Dodging all these efforts, Modi has been focused on governance and promise delivery, and has refrained from playing into the hands of his critics.

These are great signs coming from India's new Prime Minister. 100 days is too less a time to judge the performance of a Prime Minister or a government, but it is the kind of mandate, resounding and historic, that Mr. Modi has got from the people, which makes his each day in office an acid test. The man, so far, has delivered more often than not, a feat that has further risen the already towering expectations of this nation of a billion hopefuls.

An Apple Love Story

We didn't fall in love

Love fell on us

Like how the apple did

On that scientist so famous

We did make faces

But also seemed to like it

Like how you feel

For a deal when you strike it

We didn't realize

How it hurts and gets no better

After the dust settles

On the cherished love letter

We warned, they said

Scoffing at us in disdain

And we thought they were happy

People we cared for in vain

With time we learned

A lesson so true and deep

It's your apple, your love

For you to eat, juice or keep.

This I-Day, Think of Your New Government

It's been nearly three months since the new government, under the leadership of Narendra Modi, took office in New Delhi. It's also been three months of greatest scrutiny that any government in Independent India has ever faced. While scrutiny is welcome, more than welcome it's need of the hour, but in the case of the new central government, the scrutiny has often bordered on plain jealousy, useless leg-pulling and an insatiable desire to see the government fail even before it finds it feet on the ground.

This Independence Day as Narendra Modi stands on the Red Fort to address the nation, calm down and think a little. Realize that a government is not only of the people who voted it to be in power. It is also for the people who did not vote for Modi or the BJP and also for those who did not bother to vote. It is in this perspective that one must realize that praying for this government to fail or wishing for Modi to make a mistake will do no good to this country. We have already suffered years of misrule (even if you discount UPA-1's relative good performance), and its time India had a government that has full support and trust of the masses.

Let's not make the mistake of thinking that those who are trying to run down the government are in vast majority or reflect the popular mood on the ground. They are a handful of self-proclaimed intellectuals with bruised egos who have yet not submitted to the idea of Modi riding on a massive, historic mandate. These are people who wrote off Modi and the BJP despite opinion polls predicting a landslide. Bogged down with egg on their faces and by lack of any credible 'issue' to challenge the new government, the intellectual, social media savvy gliterrati is pulling out rotten tricks out of the hat. No wonder, Smriti Irani's education suddenly becomes nation's talking point, what if we have had most unworthy of ministers occupying the office in past. It is absolutely laughable how a self-made young woman is being made fun of by a group of online war-wagers who claim to be all for woman's right and dignity.

Smriti Irani's deriding seems to be a flash in the pan when you take a look at some of other 'issues' raised by the naysayers. Hardly three months in office, and you start criticizing the govt's economic policies (let the govt. frame its policies first!), the budget is called unworthy and everybody forgets about the baggage of economic paralysis that this government has inherited. You start complaining of 'bure din' the moment petrol prices go up but fall silent when the prices go down subsequently. Do they even know that petrol prices are deregulated and hence out of the govt's direct control? You start crying hoarse over rising tomato prices but fail to realize that the prices have not gone up spirally (unlike in the past) and wholesale inflation has been going down. Who bothers about all this when the sole objective is to make poor parodies of 'Achche Din'?

You have people giving lectures on communal harmony and shedding crocodile tears on what's happening in Uttar Pradesh. Is maintaining communal harmony only the BJP's duty? What about the Congress, the Samajwadis and virtually every other political party? Why is the communal bogey raised every time the BJP comes into power?

And last but not the least has been the absolutely hilarious frenzy over PM Modi's supposed 'silence' since the time he has taken oath. Why the PM is not speaking as much as he used to do while campaigning? Really? Guess what, he is working. And also do you not realize there is huge difference between election campaigning and running a nation as big as India? Can you imagine how intimidating and overwhelming it can be to walk into the Prime Minister's shoes, leading a rather inexperienced group of ministers, being surrounded by bureaucrats with decades of experience? Can you imagine how foolish will it sound to speak out of turn or without proper knowledge when officials, bureaucrats, economists and diplomats thrown jargons at you?

Modi is taking his time. He is getting used to the PM's office, the air of Delhi, the corridors of ultimate power, the challenges of governing a nation that has seen anything but governance in the last few years. He is picking up the pieces of a nation's broken dreams, he is opening up the shackles of immense expectations that this country has from him. And that's why the relative silence. The PM is working. Give him time. Do not pray and wish for this government to fail. If your wishes come true or your prayers are answered, the results will be catastrophic.

If You Think Of Me

If you think of me

As the sunshine

When it rains

And there are dark clouds.

If you think of me

As the rainbow

When the color fades

and there are self-doubts.

If you think of me

As your shadow

When the need comes

And there are no crowds.

If you think of me

In these moments

And not really all the time

We can bond every now & then
Like how sugar mixes with lime.

Image- St. John's Church in the Wilderness. All Rights Reserved

'Kick' Review: Watch it (Only) for Some Moments of Madness

Let me put out a disclaimer first up. Before catching the midnight show of Kick, I coincidentally watched Salman Khan's 1999 hit Hum Dil De Chuke Sanam on TV. This review may, therefore, be a little biased in favor of Khan, whom I absolutely adored in the aforementioned SLB film.

There is little doubt that there used to be a good Salman Khan, all throughout the 90s and at least through the first half of the first decade of the new millennium. And then, he was hit by a formula that worked - formula of remaking action-comedies from down south. The dividends gained were super rich, superstardom achieved in the process was almost Rajnikanth-like. It is in this context that Hum Dil De Chuke Sanam and several other films of the 90s make you miss the real Salman Khan. Anyways, lets not take anything away from the new-age, muscle-flexing, bone-cracking, train-stopping bhaijaan who has now become a legend in his own right.

So, does Kick carry forward the new-found larger than life image of Salman Khan? Oh yes, it does and in fact goes the extra mile in mystifying the superhero Khan image who can do anything and everything possible on earth. Okay, not just on the earth but the entire universe. So, you have comic strips of the 'Kick Puttar' writing with both of his hands, working on a laptop upside down, riding a bicycle on rooftop railing, and doing much more that only possibly son of Jaadu can do.

Kick celebrates the legend, and the life and times of Salman Khan. Every single frame and scene of the film worships the superpowers of Khan without formally proclaiming him as God's messenger. All of this mad fixation and obsession with Khan would have made for a delightful cinema experience; after all we have whistled in the past for Chronicles of Bachchan and Rajnikanth; if only the makers of this film would have settled for a bit of method in their madness.

The writing and editing of the film is pedestrian, almost cringe-worthy. There are so many unanswered questions at the end of the film that you will not bother to remember them. And yes, you will wonder how can writers (Rajat Arora, Chetan Bhagat, Keith Gomes and Sajid Nadiadwala- who also happens to be the unworthy director) take your wisdom for granted and offer you such a substandard product in the age when every film is scrutinized with the precision of a hawk's eye. Also, in its zest of showing more and more of Bhaigiri the film is somewhat never-ending. It goes on and on without caring for your aching brain and back.

But nonetheless, in between the nearly three-hour long 'test of patience', there are some genuine moments of madness. Some scenes that make you realize that Salman is a born entertainer and if given an opportunity, he can actually make you laugh like a hyena. Special mention should be made for his hilarious yet effortless dance moves on 'Saat Samandar' and 'Party All Night'. There is also a scene where Salman lands up in jail and enacts a laugh riot with the inimitable Sanjay Mishra as the inspector-in-charge. But rest assured, these moments are rare and few, and you will need to really wait for them. And when these moments come, make sure you grab them with both your hands and feet.

There is no need for you to bother about the story, the plot or the climax, because there is hardly any. Randeep Hooda is efficient as the super cop, Jacqueline Fernandez looks pretty and gets substantial screen time, given that it is a Salman Khan film. Nawazuddin Siddiqui tries hard to come across as a menacing villain, but ends up tickling your funny bones instead.

All in all, Kick will give you a kick if you are ready to wait and have patience. And also, if you are ready to make the most of the 'moments of madness'.

Okay, at the end of the film, you will also wonder if you have adjusted your patience and acceptance levels (with regards to a Bollywood film) in the last few months/years. Or if now, you expect the least from Salman Khan these days. Go, take your Eidee and also think a little.

Rating: **1/2 (Average)

The Stupid Naught

She stood there
Pushing her point like ever before
I looked at her, eyes wide open
She looked at the ceiling and the door

We had been together all along
Like a road is with its traveler
But a road has a few roadblocks
Oh yes, love is a great leveler

Today as the guns blazed
I noticed a bit of a difference
A piece of gem shone in front
Filling me with joy and reverence

I think she smiled from her heart
And it truly reflected on her face
It wasn't the first, but first of its kind
The kind that holds a special place

Don't know if she knows it
But every time we have loved or fought
It's her smile that has made the difference
She goes one up, and I'm stuck at the stupid naught.

Image: Google

ग़म, सुकून, फ़िक्र और तस्सल्ली

ग़म 

ग़म में डूबे कई मर्तबा हमने सोचा

दिल-ए-दरिया में उफान है या हमें तैरना नहीं आता

उम्दा ये जवाब मिला, "ठहरे हुए पानी में बहा करते हैं,

तैराकी की बारीकियां अक्सर उफान ही सिखाता है"

सुकून

निज़ात पाना अगर सुकून होता

तो हर शाम लोग दीये जलाया करते

कोई वजह होगी जो हर रोज़ जंग जीतने वाले भी

दिवाली की  राह देखते हैं। 

फ़िक्र 

थाम कर मेरा हाथ वो मुस्कुराई और बोली 

हमारे प्यार की उम्र बहुत लम्बी है 

हमने कहा ये हुई दिन, साल,  महीनों की बात

अब हाथ के हाथ हमें फिक्र की फ़ेहरिस्त भी बता दीजिए

तस्सल्ली

जान लेकर भी उन्हें नहीं मिलती 

और हम जान देकर भी देख चुके 

ताज़्ज़ुब इस बात  पर है 

आज भी एक नज़र काफी है तस्सली के लिए। 

साभार - Google

Ashes

It fuels the fire,
Fire that burns your inside.
Inside a shop when asked to throw it,
It hurts to dump your favorite cigarette.

She walked far away,
Away when you needed her close by.
By now, when the dust has set over,
Over and over again, you miss her shine.

Love has bitten you more,
More than making you shy.
Shy of the pain it leaves behind,
Behind it all, you still sense some love.

A few things go wrong at times,
Times when you think you are done.
Done with the burning, the snub, the pain
Pain that runs from head to toe via heart.

But your cigarette, your girl, your love,
Love them a little more come what may.
May you learn to relish while you burn,
Burn because you'll shine, unlike the Ashes.
(Ashes that are dead, lusterless and gray.)